澳洲珀斯艺术作业代写 德国建筑

2020-07-21 05:31

这是德国表现主义建筑师布鲁诺-陶特(Bruno Taut)的意识形态,他推崇乌托邦建筑的理念;在动荡的时代,这种建筑能将所有的艺术聚集在一起。 20世纪初,艺术家、作家和创作型专业人员开始通过作品表达自己的思想,作品倾向于 "逃避现实的、有远见的或喜庆的"[1],这影响了建筑,导致了反映个人经验的设计。建筑和艺术要从第一次世界大战的混乱中挽回其精神和社会作用。许多建筑师曾参加过战争,他们的经历与德国的政治斗争和社会动荡相结合,导致了一种乌托邦的观点[2]。 这在所有的创作领域都可以看到,如弗朗茨-马克的《梦中的马》、汉斯-波尔齐格的电影布景《傀儡》和保罗-谢尔伯特的小说《Lesabéndio》。谢尔伯特被布鲁诺-陶特称为 "建筑界唯一的诗人"[3],因为他了解艺术作品和建筑中的思想对塑造德国的影响。谢尔伯特认为,艺术家有能力克服这些社会和民族的差异,因为他说:"艺术家[是]一个不折不扣的艺术家。"艺术家是基督和他的激情的模仿者,艺术家为了世界而牺牲自己。
澳洲珀斯艺术作业代写 德国建筑
This was the ideology of Bruno Taut, a German Expressionist architect who pushed the idea of a utopian architecture; an architecture that would bring together all of the arts in a time of turmoil.  At the beginning of the 20th century, artists, writers and creative professionals started to express themselves through their work, with a tendency towards pieces that were “escapist, visionary, or festive.”[1] This influenced architecture and led to designs that reflected personal experiences. Architecture and art were to redeem its spiritual and social role from the chaos of the First World War. Many architects had fought in the war and their experiences, combined with the political struggle and social upheaval in Germany, resulted in a utopian outlook.[2] This can be seen in all creative fields such as Franz Marc’s Dreaming Horses, Hans Poelzig’s film set for Golem and Paul Scheerbert’s novel Lesabéndio. Scheerbert was described by Bruno Taut as “the only poet in architecture,”[3] as he understood the impact of the ideas in artwork and architecture in shaping Germany. Scheerbert believed the artist had the ability to overcome these social and national differences as he stated that: “an artist [is] an imitator of Christ and his passions, the artist sacrifices himself for the sake of the world.”

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