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埃迪斯科文代写Essay:儿童发展、福利和教育
2017-07-10 20:26
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埃迪斯科文代写Essay:儿童发展、福利和教育
There were many theories developed throughout the twentieth century that concern child development, welfare and education. Many came about due to health issues and social observations by doctors and psychologists, however it can be argued that some theories have developed a further recognition in later years to influence children's entertainment, such as Theatre. It appears that certain theories can be applied to different aspects of production and content to enhance the theatrical experience for the better.Probably the best way to look at how children's theatre evolved is to start at the beginning. One of the first performance styles recognised as children's entertainment was Punch and Judy puppet shows. These puppet shows started in the seventeenth century, playing out the characters of Mr Punch and his wife Judy in different scenarios that children found amusing, usually involving some sort of trouble or mischief being added to the persuasion. This is a good insight into B.F Skinner's theory of positive and negative reinforcement. Although his theory did not emerge until the sixties, we can understand a child's recognition of a good response following a good action and bad response following bad conduct. In this case, Mr Punch using a truncheon to hit any other character such as Judy or the Crocodile stealing his sausages is seen as a bad action which triggers a child's negative response to "Boooo!" at said character. This theory can also apply to Pantomime, another early form of children's theatre, however there is a greater identification of social development that coincides with. Audience participation is a key aspect of this form of entertainment. According to psychologists, from the early stages children are naturally sociable, however they form close attachments to adult figures such as their parents. They become more open socially once they gain an understanding of how they are supposed to react to certain environments. Take the Theatre, for example and we can see that children establish relationships with characters, particularly those who communicate directly with them, such as the role of "Buttons" in Cinderella. He acts as a narrator for the piece and is amusing for children to watch, so they regard him as a safe role, after that they regard the "Evil Stepmother" as cruel and feel compelled to shout out and express their negativity towards their bad conduct against a good character. As the audience collaborate during these moments children are made to feel more confident as they are not alone and build upon their personal development.
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