南澳essay代写:观众困惑

2017-03-13 00:57

El Verdugo是一部既可以是令人不安的和它的观众困惑。不适当的音乐往往伴随着引人注目的意象，如开幕顺序，其中欢快的跳动的“扭曲”音乐最终在执行过程中褪色。殡仪馆乐队一起练习，“扭曲”的表演再现了当卡门宣布她怀孕了，又一次在影片结束时，游客到岛上后，Jose Luis进行了执行。死亡的主题始终与黑色幽默接近。拉着Jose Luis的手为阿马迪奥灯给他电击，说：“那只有一百二十五伏…好电动座椅有千伏！“亚马多拿出装置用来测量一个人的脖子，他死之前Jose Luis喝一杯咖啡，阿马德奥告诉他，吃他去写辞职信，Jose Luis是在他即将执行的行为给予了大量的食物和酒，卡门提出让他在执行一个三明治。如同任何独裁政权一样，一个人将被迫以任何代价服从规则。法律，不管是喜欢还是不喜欢，都必须遵守，没有让步，或理由。若泽路易斯已同意成为执行人，签署任何道德，价值观和美德，并将履行他的义务。在他使用的喜剧Berlanga似乎暗示，如死刑本身，有这样的执法都是荒谬的，不合逻辑的荒诞闹剧。“El Verdugo是Berlanga的凄凉和持续时间最长的电影，但它的优势在于被精确的喜剧”（Lá零reboll和威利斯，123）。Berlanga Franco政府的讽刺性的批评可以被理解为一个悲观的故事还是一个社会中，思想和行动是由合格的聪明的起诉书，和失去控制的恐惧和不确定性。Jose Luis着手改善自己的生活，被物质贪婪和财富蒙蔽了双眼，很容易被别人说服，最终比以前更糟。他在社会中找到了一个消耗了他的地方，使他失去了能力，并通过自己的异化。

南澳essay代写:观众困惑

El verdugo is a film which can be both disconcerting and confusing to its viewer. Inappropriate music often accompanies striking imagery, such as the opening sequence in which cheerful up-beat ‘twist’ music eventually fades during an execution. At the funeral parlour a band practice together, the ‘twist’ rendition reappears when Carmen announces her pregnancy, and again at the end of the film when tourists arrive to the island after Jose Luis has carried out the execution. The subject of death is consistently approached with black humour. Amadeo pulls Jose Luis’s hand into a lamp giving him an electric shock, saying “that’s only one hundred and twenty-five volts… well the electric chair has thousands of volts!” Amadeo pulls out his the device used to measure a man’s neck prior to his death as Jose Luis drinks a cup of coffee, Amadeo tells him to eat as he goes to write his resignation letter, Jose Luis is given a mass of food and wine before he is about to perform the act, and Carmen offers to make him a sandwich after the execution.
As in any a dictatorship, a person will be forced to obey the rules at any price. The law, whether liked or disliked, is there to be followed, without concession, or justification. Jose Luis has agreed to become an executor, signing away any morals, values and virtue, and will have to fulfill his obligation. In his use of comedy Berlanga seems to be suggesting that, like the death penalty itself, there is an illogical absurdity about such law enforcement which is both nonsensical and farcical. “El verdugo is Berlanga’s bleakest and most sustained film and yet its strength lies in being precisely a comedy” (Lázaro-Reboll and Willis.123). The satirical criticism of the Franco government by Berlanga can be read as a pessimistic story or as a clever indictment of a society in which thoughts and actions are governed by conformity, and a loss of control of through fear and uncertainty. Jose Luis sets out to better his life, blinded by material greed and wealth, easily persuaded by others, and ultimately is worse off than he had once been. He finds a place in society which has consumed him, left him powerless and alienated through his own making.