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阳光海安Essay代写:音乐历史学家
2017-04-07 00:39
音乐历史学家通常认为巴洛克时期是歌剧诞生的时期(大约1600年),两位历史上最著名的音乐家,约翰·塞巴斯蒂安·巴赫和George Frederick Handel的去世。术语“巴洛克”本身往往是一个争议的问题。根据一些,这个词是从艺术史的借,但最初是用于贬义的方式,作为一个“文艺复兴”(dorak腐败的话,2006杆。1)。其他历史学家用不同的语言解释来形容“巴洛克”这个词。据本顿和diyanni,这个词来自葡萄牙的话barrocco,指的是不规则的尺寸大的珍珠(2005:358)。Benton和diyanni也同意这个词最初有贬义,但这种逐渐随着时间的推移,这一时期的音乐和艺术得到尊重。其他音乐历史学家喜欢描述“巴洛克音乐的严格定义。Bukofzer断言,尽管许多巴洛克音乐的特点可以在条款适用于艺术和文学的时期,巴洛克音乐风格独树一帜虽然他本人似乎不愿意把它定义。术语,根据bukofzer,'被批评因为巴洛克品质无法找到在音符”,这表明有一些神奇的本质定义类型。如果有,他继续说:“谁希望发现巴洛克音乐修养仿佛是一个神秘的化学物质了术语主要是指期内风格统一的意义”阳光海安Essay代写:音乐历史学家
Musical historians generally consider the Baroque Era as the period between the birth of the opera (approximately 1600) and the deaths of two of history's most renowned musicians, Johann Sebastian Bach and George Frederick Handel. The history of the term 'Baroque' itself is often a matter of dispute. According to some, the term is borrowed from art history, but was initially used in a pejorative manner, as a 'corrupt dialect of Renaissance' (Dorak, 2006: par. 1). Other historians have described the word 'Baroque' by its various linguistic interpretations. According to Benton and DiYanni, the word comes from the Portuguese word barrocco, which refers to a large pearl of irregular dimensions (2005: 358). Benton and DiYanni also agree that the term initially had a negative connotation, but that this gradually shifted as time went on and the music and art of the period gained respect.Other musical historians prefer to describe the term 'Baroque' strictly in terms of musical definition. As Bukofzer asserts, although many of the characteristics of Baroque music can be described in terms that apply to the art and literature of the period, the style of Baroque music stands alone—although he himself seemed hesitant to define it. The terminology, according to Bukofzer, 'has been criticized because baroque qualities cannot be found in the musical notes'—suggesting that there is some magical essence that defines the genre. If there is, he continues: 'whoever hopes to discover baroque qualities in music as though they were a mysterious chemical substance misunderstands the meaning of the term which essentially denotes the inner stylistic unity of the period'
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